Evaluate: ‘A Christmas Carol’ At Annapolis Shakespeare Firm
Annapolis Shakespeare Company’s manufacturing of A Christmas Carol is a enjoyable, faithful translation of Charles Dickens’ well-known holiday classic. Adapted by Sally Boyett and Donald Hicken, and directed by Donald Hicken, it is a perfect show for the holiday season.
Brian Keith MacDonald dominates the stage as Scrooge, capturing completely the miser’s outstanding range of feelings. He begins the play with visible anger, leaping up from his desk in rage to protest Christmas cheer and charity, and rudely shoving previous folks while walking house. His concern at encountering the varied spirits is palpable. He becomes wistful on seeing scenes from his previous, and he attempts to join in on the fun throughout the present celebrations. The long run scenes discover him falling to his knees, begging for one more likelihood. By the tip, he dances across the stage in joy, the change fantastic to observe.
Brian Keith MacDonald. Photograph positive mind positive vibes positive life by Joshua McKerrow.
The other actors play a number of roles, with William Dennison enjoying Bob Cratchit with a quiet energy. He quietly however firmly holds his ground when asking for Christmas time without work. He radiates optimism and peace, his voice raising in pride as he tells his household of Tiny Tim’s (Joseph D’Angelo) form words. Solely once does he quiver, when relating his son’s precarious health. His reaction to Scrooge’s newfound kindness is restrained yet hilarious.
Laura Rocklyn plays Mrs. Cratchit with a heat kindness, joyfully serving dinner to her household. Her husband’s toast to Scrooge brings out her one harsh word, quickly softened. Joseph D’Angelo offers Tiny Tim innocence and kindness, whilst he shuffles with his crutch. The Cratchit family is full of gentle and warmth, a robust distinction to Scrooge’s chilly, empty residence.
Olivia Ercolano provides Belle, Scrooge’s childhood love, a robust coronary heart. Arguing with the Young Scrooge (Jack Russ), she provides a powerfully transferring reaction to his greed, her voice heavy with sadness as she makes an impossible determination. Russ performs Scrooge stuffed with battle, pacing the stage, protesting Belle’s alternative but unable to show her mistaken.
Dexter Hamlett performs Jacob Marley with a soul-heavy weariness. He shuffles onstage, his voice slowly rising in passion as he tells of his otherworldly burdens. His well-known speech “Mankind was my business!” is filled with regret.
Bethany Mayo gives a quiet firmness to the Ghost of Christmas Past, guiding Scrooge through painful recollections. Airy and mild, she appears to glide throughout the stage.
Craig Allen provides a kind firmness to the Ghost of Christmas Current, permitting Scrooge to see what he has missed all these years. Probably the most colorful of the spirits, he gently mocks Scrooge’s cruelty solely as soon as.
Jack Russ performs the Ghost of Christmas But to Come with a fearful menace. Unnaturally tall and completely speechless, he creaks throughout the stage, pointing in the direction of Scrooge’s future. He terrifies with out saying a phrase.
Dexter Hamlett. Photograph by Joshua McKerrow.
Sandra Spence has achieved a great job as Costume Designer, with outfits that evoke the Victorian interval. Scrooge begins and ends the play sporting a black jacket and pants with a gray vest, whereas for the remainder he wears a white nightshirt, gold and black striped dressing gown, and a white sleeping cap. Bob Cratchit is dressed less complicated but nonetheless nicely in a brown jacket and white shirt, and Tiny Tim in a protracted brown jacket and cap. The spirits are all dressed in attire with the texture of the supernatural around them, with the Ghost of Christmas Previous in a white gown and silver laurels, the Ghost of Christmas Present sporting a protracted inexperienced cloak and a golden staff, and the Ghost of Christmas Yet to Come in a black shroud-like gown that hides most his face. Jacob Marley is all in black, with heavy chains wrapped round him, dragging a weight.
Salydon Boyken does fantastic work as Scenic Designer. The set evokes London during the period, with a cobblestone avenue on the ground and gray brick partitions on either side, and gasoline streetlights going through the middle. On the left is a spiral staircase leading up to a small alcove, while the precise has a doorway. Several crates are used as desks and chairs, while a desk and chairs come up for the Cratchit’s dining space.
Projections Designer Joshua McKerrow uses the backdrop to throw numerous pictures onstage, primarily paintings by interval artists akin to John Grimshaw and James McNeill Whistler. These paintings assist flesh out the stage to point out Scrooge’s office and bedroom for instance, as well as avenue scenes. The display can be used for a neat trick with the door knocker, and setting the scene for one of many Ghosts.
Adam Mendelson as Lighting Designer does a wonderful job. At first, the lights give the impact of fog frivolously masking the stage. The lights darken for the Ghosts’ visitations, enhancing the feel of the supernatural. They also change depending on the mood.
Bethany Mayo, Bill Dennison Joey D’Angelo, Brian Keith MacDonald. Photograph by Joshua McKerrow.
Nancy Krebs is nice as Voice and Dialect Coach, making sure the actors have the proper accent for their class. Scrooge sounds distinctly polished and upper-class, whereas the Cratchits speak slightly much less so. The Charwoman and Old Joe have the instantly recognizable Cockney accent.
Sally Boyett does a terrific job as Choreographer and Sound Designer. The several dance sequences are gorgeous to observe, with all the actors dancing fluidly with one another, some giving solo performances. The sound works completely to assist enhance the altering atmosphere, significantly including a layer of creepiness to the ultimate Ghost’s appearance.
Donald Hicken is a terrific Director. The actors navigate the stage and each other with ease, and handle the a number of roles completely, altering outfits and characters rapidly. The appearing, directing, choreography, lighting, and units all come together for a joyful, family-friendly efficiency. You won’t be saying “Bah, humbug!” to this present!
Working Time: Approximately 2 hours, with a 15-minute intermission.
A Christmas Carol plays by means of December 31, 2017 at Annapolis Shakespeare Firm – 1804 West Avenue in Annapolis, MD. For tickets, call the box workplace at 410-415-3513 or purchase them on-line.
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